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Exhibition from
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Stefanie Wollenhaupt sculpturally deals with relations between the two forms.
It is the artist living in Gummersbach not the material-filled room, taking
the two sculptures, but by the viewers themselves to fill gap.
Basis for Wollenhaupt sculptures are often inspiration from nature. During their training it operated sculptor detailed studies for bones, as these are almost unbelievable way plastic tension, movement and a coagulated to form the task are linked.
The stone inspired the native "Saarländerin" to a certain basic idea of
the exact form is obtained by entering the sculpture - and in the truest sense
of the word: They felt the land and get an answer.
Stefanie Wollenhaupt almost always works with machines, so that each sculpture
has, in its growth. The use of machines is for them an alienation with the material
and process of her results-oriented. For them, the creative process in itself
to rest, if space and the space around to find balance with each other.
A series of creations born in 1961 are angels qualities with which it has repeatedly
employed. This was inspired by the words of Anselm, in his book Green Angel'50
for the year '. Also here is the space of 'I' and 'you' to the central question-and
space and the space around - Space and interspace.
Stefanie Wollenhaupt has been working for 12 years both as a factory and as an
art teacher in the school at the FWS. I see it as a mainstay in the field of
plastic in order to be employed, which is here in my social responsibility. To
enrich the two other areas where the job allows me the time, my artistic activities.
She is mother of four children. Her youngest son still lives with her.
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Born in Cologne Hepperle Dan loves the silence, it stands in the center of his art.
How many musicians in their compositions the silence audible, Hepperle makes it visible in his photos. And while we have the eyes to rest in his pictures, even the silence is audible. In his pictures are no specific motives to see, nothing figurative, and the structures are very withdrawn ... In short: at a glance, these images are not to be recorded. Nothing but a white, in which, the longer one that looks more and more tiny details are visible.
... Infinite shades of white, to be exact, each at a touch different, so it only through the subtle difference to another at all is visible, gray glimmer of tenderness ... The quiet mystery of inconspicuous is a time to become a charming picture.
Excerpt from an essay by Jürgen Kisters
Dan Hepperle lives and works in the Eifel.
More Information:
www.dan-hepperle.de
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Please call us before your visit. Contact: Mahima Steinberg 02173-40 99 999 |
