P a i n t i n g

   Current Exhibiton 08th June - 16th July 2008

Painting by Ulrich Brauchle




'near and far'





  Previous Exhibition 13 March - 15 May 2008

Painting by Peter Royen


'Exhibition Peter Royen'



The Painter of Silence

Peter Royen, born 1923 in Amsterdam, is a true personality. For almost sixty years his energy, sensitivity and effort has gone into art. From the beginning, he strongly advocated 'freedom for art' and 'respect for the artist'. He has always supported and encouraged young artists from Düsseldorf, where the eighty-four year old has lived since 1946.

White is the dominating colour in Royen's work: white, often in contrast to deep black or yellow squares. He builds pictures of many-layered tiles which rise up, radiating a deep silence through the reduction of colours.

The well-known art critic, Werner Schmalenbach, about Royen: Of course he is, as you can see in each of his paintings, extraordinarily sensitive. But sensitivity is not really more than a raw material.   It is important what comes out of it. Peter Royen is making 'out of it' his silent, poetic, quietly breathing paintings - between the two poles of the strict order of the picture and the freedom of painting. He is a painter of the silence.




  Previous exhibition 12th November - 16th December 2007

Paintings by Bettina Hachmann


'Earthcrust - Lifecrust'



The works of painter Bettina Hachmann reveal many strong layers.
The surface almost seems to be weathered, as if it has gone through
a metabolism. At some points it forms a crust that covers something
beneath - like a healed wound!


  Previous Exhibition 24th September - 9th November 2007

Painting by Christian von Grumbkow


'Vibrant Colour-Worlds'



`I don`t paint a message,
or a thought,
- I paint colours´

Christian von Grumbkow celebrates colour in its characteristic beauty and its inherent potential. He uses its suggestive power to refer to the physical realm and that which is beyond, and creates works which have both a spiritual and concrete quality. Whether on wood or canvas his works radiate a contemplative calmness.


  Previous Exhibition 2 July - 12 September 2007

Painting by Eeva Hauss


'Instant Experience'

is an exhibition of extraordinary lithography and screen prints from Finnish artist Eeva Hauss. Her paintings seem distant and floating. Eeva Hauss explores the tension between Nothing and Infinity.

Eeva Hauss and Sameen Jacobi offer a Workshop on 8th September at the Open Sky House.
Painting, dance and guided meditations offer you the opportunity to discover your creative space with playfullness.
For info & registration please contact us: +49 2173 4099999


  Previous Exhibition October 2006 - 7 May 2007

Paintings by John David

Dots, Lines and Circle Play

"Taking white paper and colours a brush stroke happens playfully, spontaneously as an oute reflection of an inner movement. No thought, nobody is painting but rather an absence of someone is painting."
More Info about John David's painting

An Interview with John David

Q: John David, are you trying to say something with the paintings you are exhibiting here?

JD: When they were painted, there was certainly no trying to. Usually the paintings just simply happened out of either some kind of feeling or because there was much peace and emptiness inside me. Something wanted to express itself. I would take a piece of handmade paper and acrilyic colours but then I would have absolutely no idea nor intention about what was going to come. Certainly there was no intention to say something because I didn?t even know what was going to manifest on the paper. All the paintings are totally spontaneous, in-the-moment manifestation of colour on the paper. So in that sense, I was not saying anything. However, making a selection for this exhibition out of a larger number, in a sense I am now trying to say something. It was already there in the moment it was being painted but not as any intellectual idea. Yes, I am trying to say something, and the thing that I am trying to say is in a way quite sophisticated, quite complicated, but it can be made very simple. These paintings create an environment. I would hope when you walked into the gallery that you would start to feel something and what you might feel would have to do with words like innocence, playfulness, a bit kiddish, childish, naive and hopefully you would be touched by a sense of joyfulness in the paintings. The colour, the energy, the brush strokes and so on, would make you understand that when they were being painted there was a lot of joy and fun. I am trying to say to people, you could absolutely paint these paintings too, altough your paintings would be different. Why not create more fun in your life? Why not celebrate yourself by doing something, like painting? In that sense, there is statement but it certainly was not there when the paintings were being painted. The whole intention to mount the exhibition is to create a dialogue between myself and anybody who would come to the exhibition.

Q: Could you say there is a spiritual dimension in your paintings?

JD: The longer I spend on the spiritual journey, the more it seems the spiritual life, is actually life itself. There isn't a separation any more between my daily life and spiritual life. Thirty years ago, when my spiritual path became conscious there was a very distinct difference between how I was in my ordinary life and how I was in my so-called spiritual life. Gradually over time that has changed. Now I am not making a distinction between the two. I have chosen a life style which most people would call a spiritual way of living. This is simply my life. The paintings are coming out of that. In that sense you could say all these paintings have a spiritual dimension to them.

Q: Have your paintings changed since you have been on this spiritual path?

JD: All the paintings in the exhibition have been painted in the last two years. Twelve years ago I underwent a profound spiritual transformation. Out of the emptiness and peacefulness that I have been experiencing since then, creativity wanted to express itself. It emerged in these paintings. It might have expressed in dance or music but my skill is painting. Previously my paintings were being created more from the mind, whereas now I would say these paintings are very little from the mind.